| Post-Punk | Alternative Rock | Indie Rock |Recorded as the relationship between Morrissey and Johnny Marr was beginning to splinter, Strangeways, Here We Come is the most carefully considered and elaborately produced album in the group's catalog (other albums here). Though it aspires greatly to better "The Queen Is Dead", it falls just short of its goals. With producer Stephen Street, the Smiths created a subtly shaded and skilled album, one boasting a fuller production than before. Morrissey and Marr also labored hard over the songs, working to expand the Smiths' sound within their very real boundaries. For the most part, they succeed.
"I Started Something I Couldn't Finish," "Girlfriend in a Coma," "Stop Me if You Think You've Heard This One Before," and "I Won't Share You" are classics, while "A Rush and a Push and the Land Is Ours," "Death of a Disco Dancer," and "Last Night I Dreamt That Somebody Loved Me" aren't far behind. However, the songs also have a tendency to be glib and forced, particularly on "Unhappy Birthday" and the anti-record company "Paint a Vulgar Picture," which has grown increasingly ironic in the wake of the Smiths' and Morrissey's love of repackaging the same material in new compilations. Still, "Strangeways" is a graceful way to bow out. While it doesn't match "The Queen Is Dead", it is far from embarrassing and offers a summation of the group's considerable strengths.
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